monoscan wrote:I can't wait for some free time to open up in my schedule so I can play with my ZCmk2 more. I don't totally understand what I'm looking at with the tap/length screen despite reading a wiki entry on it, but I'm sure I'll get there.
Neither do I. That's the best part.
Channel A: 0-5V Outputs
For the top half of ZCmkII
, think of it as an idiosyncratic fractional clock divider.
Hook the Gates
up to percussive elements to hear the rhythmic variations possible. Set all the Gates
to the same LENGTH
while giving them each a different TAP
Channel B: 10Vpp Outputs
For the bottom half of ZCmkII
, think of it as a subharmonic timbre deharmonizing generator.
Plug a square wave into EXT CLK IN B
. Shorter LENGTH
s for a Gate
corresponds to a higher frequency, longer LENGTH
s produce a lower subfrequency. TAP
pattern values adjust timbre.
The MIX OUT
in this case would be a fractured, aliased, impaired, and mutated spectral deadditive decomposition synthesis of the input signal.
Bastards begetting bastards.
And as Guv'n'r
says: "Try FMing the lower half of the module with a clean sine, gets nice and disgusting".