monoscan wrote:I can't wait for some free time to open up in my schedule so I can play with my ZCmk2 more. I don't totally understand what I'm looking at with the tap/length screen despite reading a wiki entry on it, but I'm sure I'll get there.
Neither do I. That's the best part.
Channel A: 0-5V Outputs
For the top half of
ZCmkII, think of it as an idiosyncratic fractional clock divider.
Hook the
Gates up to percussive elements to hear the rhythmic variations possible. Set all the
Gates to the same
LENGTH while giving them each a different
TAP pattern value.
Channel B: 10Vpp Outputs
For the bottom half of
ZCmkII, think of it as a subharmonic timbre deharmonizing generator.
Plug a square wave into
EXT CLK IN B. Shorter
LENGTHs for a
Gate corresponds to a higher frequency, longer
LENGTHs produce a lower subfrequency.
TAP pattern values adjust timbre.
The
MIX OUT in this case would be a fractured, aliased, impaired, and mutated spectral deadditive decomposition synthesis of the input signal.
Bastards begetting bastards.
And as
Guv'n'r says: "Try FMing the lower half of the module with a clean sine, gets nice and disgusting".